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Film Reviews
TIFF Review – The Guilty (2021)
Director Antoine Fuqua makes a return to the subject of police in The Guilty (2021). Along with Nic Pizzolatto, the two wrote a script based on the original Danish film from 2018 of the same name. The duo Americanized the story and applied it to…
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TIFF Review – Lakewood
Lakewood (2021) follows Amy Carr (Naomi Watts), a mother who is jogging in the woods. She has already sent her youngest off to school, and her teenage son Noah (Colton Gobbo) is still in bed, saying he is not going to school. It is about…
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TIFF Review – Encounter
The stars above give birth to a meteor that plummets to the Earth. The meteor’s debris carries foreign microorganisms that make their way up the food chain through detailed close-ups of insects to the ultimate host, humans, via biting insects. The opening scenes of Encounter…
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TIFF Review – The Electrical Life of Louis Wain
Louis Wain is not a historical figure that many people would even know, let alone know what Wain is famous for doing. I am one of those people, so The Electrical Life of Louis Wain (2021) was an enjoyable treasure of a film and an…
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TIFF Review – Mothering Sunday
Mothering Sunday (2021), while an odd title, is based on a novel of the same name by Graham Swift. It is centered around the events of Mother’s Day in March 1924 and a maid named Jane Fairchild (Odessa Young). Mothering Sunday (directed by Eva Husson,…
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Film Review – Kate
When I saw the advertisements for Kate (2021) my first thought was, “Wait a minute, didn’t this movie already come out?” I could’ve sworn that I had already seen it earlier this year, and I racked my brain trying to figure out why it was…
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TIFF Review – Petite Maman
Céline Sciamma is back at TIFF after her previous film, A Portrait of a Lady on Fire (2019) also screened at the fest in 2019. Petite Maman (2021) centers on Nelly (Joséphine Sanz), a young girl who is experiencing the aftermath of the recent death…
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TIFF Review – As In Heaven
As the world of cinema continues to embrace female filmmakers and their stories, the focus on women-centric films also increases, giving rise to stories that were unlikely to be told or translated to the art of film. As In Heaven (2021) is just one of…
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