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Film Reviews
Film Review – The Lodge
The Lodge (2020) is the kind of horror film that isn’t interested in jumping out at you and yelling, “Boo!” Instead, its terror is a slow, methodical, building dread that seeps into your bones and lives within you, like a bad memory you can’t forget.…
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Film Review – The Call of the Wild (2020)
Jack London’s classic book about the inner life of a domesticated dog who discovers the freedom from within was written over 100 years ago. But often classics are classics for a reason in that they continue to resonate. In this case the journey of Buck…
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Film Review – Downhill
Downhill (2020) is a remake of the Swedish Force Majeure (2014). Of all the films that could have had an American retelling, Force Majeure would not have been the first one to come to mind. Part of the reasoning is that nearly half the dialogue…
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Film Review – Sonic the Hedgehog
The big story surrounding Sonic the Hedgehog (2020) involved the design of the furry blue main character. Adapted from the popular SEGA videogame, the initial design of Sonic (Ben Schwartz) was met with a mix of shock and disgust. With beady little eyes, long limbs,…
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Film Review – Horse Girl
There is a lot going on in Horse Girl (2020), and it very nearly manages to pull it off. It’s the story of an introverted character slowly losing their grip on reality, with the film itself following suit. It has a strong central performance, with…
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Film Review – Birds of Prey
Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn is a spin-off of 2016’s Suicide Squad. I obsessed over anything about Suicide Squad until I saw it. It was a disappointment, to put it mildly. One of the best characters in the film and one…
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Film Review – The Rhythm Section
Before The Rhythm Section’s first trailer, it was the film that had so many paparazzi shots of Blake Lively in wigs and dirtied up while filming it. Just from the random photos, it became apparent that this might be Blake Lively’s attempt at pulling a…
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Film Review – A Sun
The Taiwanese film, A Sun (2019) made the festival rounds last year and just hit Netflix for a wider audience. Directed and co-written by Mong-Hong Chung (along with Yaosheng Chang), this is an emotionally devastating story of family, regret, tragedy, and reconciliation. There is a…
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