Musical
Film Review – The Bride!
Bizarre, absurd, beautiful, tragic, and everything in between, The Bride! (2026) is an ambitious undertaking that re-imagines The Bride of Frankenstein (1935) in a completely new light. Writer/director Maggie Gyllenhaal takes a big departure from her last feature (The Lost Daughter (2021)) for a bigger and weirder project. This isn’t just…
READ MOREFilm Review – Wicked: For Good
The continuation of the Wicked musical adaptation – Wicked: For Good (2025) – arrives in theaters riding the success of the first film. In case you’ve been living under a rock for the last two years, Wicked (2024) was a massive success, appeasing fans of the stage show and garnering a…
READ MOREFilm Review – Maria
Director Pablo Larraín’s Maria (2024) is the third and final entry into his series of notable women in history – following the footsteps of Jackie (2016) and Spencer (2021). And while his latest continues the elegant camerawork, sumptuous production design, and deep examination into the psyche of his subject, this is also…
READ MOREFilm Review – Emilia Pérez
Emilia Pérez (2024) is one of the most curious films of the year. Whether that is a good or bad thing will be up to the viewer. Certainly, it is an ambitious undertaking. Writer/director Jacques Audiard (in collaboration with Thomas Bidegain, Léa Mysius, and Nicolas Livecchi) has crafted a large…
READ MOREFilm Review – Music by John Williams
Hundreds of years from now, people will revere composer John Williams the same way we do of Beethoven, Bach, and Mozart. Some might already put him on that pedestal now. His music has come to transcend generations, embedding into our collective consciousness like a fond memory. There…
READ MOREFilm Review – This Is Me…Now
J-Lo just loves love, y’all. If there’s one thing about Jennifer Lopez’s This Is Me…Now (2024), it’s that she wears her heart completely on her sleeve. Coinciding with her latest album of the same name, this “film” plays like a collage of music videos with a loose story…
READ MOREFilm Review – Flora and Son
Ever since his critically acclaimed Once (2007), writer/director John Carney has routinely come back to explore the connective power of music. Whether it’s in Begin Again (2013) or Sing Street (2016), Carney has taken a deliberately sentimental approach in how music can heal, inspire, and draw empathy. He basks so deeply in this…
READ MOREFilm Review – Carmen
Director/choreographer Benjamin Millepied’s Carmen (2022) is not so much an adaptation of the famous novel/opera, but a complete re-imagining that uses the source material as a groundwork. The result is an intoxicating and vibrant sensory experience. Some viewers may be turned off by its poeticism (some might describe…
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