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MacGuffin Spotlight
What We’re Watching – SIFF 2012 Edition
The Mexican Suitcase: In the late 1930s, photographers Robert Capa, Gerda Taro, and David “Chim” Seymour traveled to Spain to cover the Spanish Civil War (1936-1939). Three boxes—known as the “Mexican Suitcase”—of their work went missing, only to resurface seventy years later in Mexico. The…
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MacGuffin Audio Podcast #141
Spencer is joined by Laremy Legel (Film.com). Topics include: A look at the a buzz about Lawless, suggestions for the future of Highlander, reflecting on Jackie Chan’s career, questions about an Ian Fleming biopic, and discussing the potential of Blade Runner 2.
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Bird Watching – SIFF 2012 Preview
Being the film festival that bills itself as the largest in the country, it is only right and just that many interesting films by women are showing this year at the Seattle International Film Festival. The most high-profile of these was the film shown last…
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MacGuffin Audio Podcast #140
Spencer is joined by Dustin Kaspar (Seattle International Film Festival). Topics include: A preview of SIFF 2012, a discussion on what makes a good villain, weighing the prospects of sequel to The Shining, considering the challenges of a good biopic, and pondering Robert De Niro’s…
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MacGuffin Audio Podcast #139
Spencer is joined by Eric Morgret (Crypticon, MIFFF) and Aaron Mason (Grapes of Rad). Topics include: A preview of Crypticon & MIFFF, discussing the significance of the NC17 rating, examining the decision to remake classic films, fight over the top 10 comic movies, a look…
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MacGuffin Audio Podcast #138
Spencer is joined by indie filmmakers Kris & Lindy Boustedt (Perfect 10, The Summer Home, This Is Ours). Topics include: Kris & Lindy’s career in film, bizarre news relating to Evil Dead, Sasha Baron Cohen’s schtick, pondering Oldboys transition to the US, and the future of Beetlejuice.
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Bird Watching – Nadine Labaki’s “Caramel”
On May 11, Lebanese director Nadine Labaki’s second film, Where Do We Go Now?, will open in the United States. A festival sensation, winning the People’s Choice Award at the Toronto International Film Festival amid heavy competition and receiving acclaim at Cannes, that film is…
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Schlock Shelf – Wound
Wound is an independent horror film from David Blyth that takes the viewer through a sort of sado-masochistic, sexually dysfunctional, mentally disturbed Australian woman’s spiral into bizarro-world. There’s plenty of bodily fluids, yelling, gravedigging, mask-wearing, and gratuitous breasts to satiate the average horror fan, but…
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