Posts Tagged ‘Focus Features’
Episode 2 – Captive State
On this week’s podcast, we review the sci-fi thriller Captive State and for our Netflix Homework, we revisit the 2009 Steven Soderbergh comedy The Informant! We also discuss James Gunn‘s return to Marvel Studios and we survey our listeners to find out the comedy’s that…
READ MOREFilm Review – Greta
Greta (2018) is a nasty bit of fun. Directed and co-written by Neil Jordan (with Ray Wright) this is the story of a young woman named Frances (Chloë Grace Moretz) who – almost by accident – befriends an older woman named Greta (Isabelle Huppert). But…
READ MOREFilm Review – On the Basis of Sex
Ruth Bader Ginsburg has lived an exceptional life. Born to Russian-Jewish immigrants in Brooklyn, New York (as Joan Ruth Bader), Ginsburg studied at Cornell, attended Harvard, and earned her law degree at Columbia. She spent much of her career focused on gender equality and women’s…
READ MOREFilm Review – Mary Queen of Scots
Any film set around the historical events of the Elizabethan era and its ruler, Queen Elizabeth I, I am going to see. There is an audience for these historical dramas both on the small and big screen as time and again new versions recreating the events…
READ MOREFilm Review – BlacKkKlansman
The great revelation of Spike Lee’s BlacKkKlansman (2018) is how imagery can be used as powerful motivators, cultivating the way people feel and act. Throughout his entire career, Lee has been deeply concerned with racism in our society and how it has survived and evolved…
READ MORESIFF Interview – Morgan Neville – Won’t You Be My Neighbor?
Spencer interviews director Morgan Neville from the documentary Won’t You Be My Neighbor? at SIFF 2018.
READ MOREFilm Review – Tully
Toys laying all over the carpet, dishes in the sink, mouths to feed, teacher parent conferences – the life of a parent is not an easy one. In their third collaboration together, director Jason Reitman and writer Diablo Cody touch upon the ups and downs…
READ MOREFilm Review – Phantom Thread
The latest film from writer and director Paul Thomas Anderson opens with the tonal resonation of a ringing sound. Like a tuning fork being struck, the sound carries out, as if to reverberate throughout the remainder of the movie. Not quite a formal note and…
READ MORE