Posts Tagged ‘IFC Films’
Film Review – The Death of Stalin
Armando Iannucci‘s biting new film, The Death of Stalin, is the funniest story centering around a brutal dictator you’re likely to see this side of Springtime For Hitler. Iannuci is no stranger to unsettling political satire (In The Loop, Veep), and I knew from my…
READ MOREFilm Review – Crown Heights
If there is one thing that writer/director Matt Ruskin does well in Crown Heights (2017), it’s highlighting the fact that the justice system is inherently flawed. With pressure put upon law enforcement to swiftly capture criminals to the racial profiling of minorities (particularly those of…
READ MORESIFF Film Review – City of Ghosts
Raqqa, a city in Syria, has been overtaken by ISIS and a select few are doing what they can to find out the truth about what is happening in their home town. This is to be applauded, yet City of Ghosts is strong on information…
READ MORESIFF Interview – Matthew Heineman – City of Ghosts
Spencer Fornaciari interviews director Matthew Heineman from the documentary City of Ghosts at SIFF 2017.
READ MORESIFF Interview – Zoe Lister-Jones – Band Aid
Spencer Fornaciari interviews writer/director/star Zoe Lister-Jones from the dramedy Band Aid at SIFF 2017.
READ MOREFilm Review – Band Aid
Marriage can be tough. What starts out as roses and champagne slowly turns into routine, familiarity, and boredom. That’s the true test: how does a couple maintain that feeling of surprise and spontaneity when each person knows everything about the other? If you’re not careful,…
READ MOREFilm Review – Personal Shopper
Communication is a key factor in Olivier Assayas’ new movie Personal Shopper. Concepts of not just the means of communication but the reason for, and the things communicated during, are both subtly and prominently woven throughout the structure. Spiritualism is a religion that was formed…
READ MOREFilm Review – Things to Come
Isabelle Huppert brilliantly holds together Things to Come a confounding yet still fascinating film. Director Mia Hansen-Løve has a style that is hard to pin down. She likes to create as much real life as she can in her films that sometimes leads to me…
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